EQUIPMENT + FACILITIES


At Beyond Pix SF we are very excited to be renovating our insert stage “Studio D” into a full-service live-stream boutique broadcast stage – renaming it the “Battery Street Stage.” We are installing a new AC unit, creating a new lighting grid, building a white cove corner and hanging a wrap-around black drape. The stage will include modular set pieces to provide clients with a variety of looks. It’s the perfect time for us to learn what your production requirements might be as we look to invest in tech for the stage. Work will be completed by October and the rates below are for the finished stage. 

25′ x 40’. Includes coved back wall with a black Duvetyne curtain that can be pulled in front. Lighting and streaming equipment that currently resides in Studio D: 

  • 1k and (2) 2k full-color spectrum Lupo lights
  • Vmix software on a Windows production laptop 
  • Behringer XENYX 1205 Mixer w 8 HDSI inputs or outputs
  • 8 Port Thunderbolt Breakout Box
  • 3 Panasonic AW-HE50h PTZ camera
  • Panasonic AW-RP50 Remote Camera Controller
  • 4 Shure SM93 Microphones
  • Hyperdeck Studio Mini Digital Recorder
  • A very large selection of a variety of Arri lights (over 30)

Broadcast Studios

Our space here includes twin state-of-the-art studios with a master control room, designed for single shot live broadcasts. Can be reformatted to fit a variety of needs including two shots or wide angle shots. Equipped with: 

Video:

  • 1x Sony BRC-Z700 Camera
  • 1x Sony RM-BR300 Remote for Sony BRC-Z700
  • 1x Panasonic AW-UN70KP Camera 
  • 1x Panasonic AW-RP50N Remote for AW-UN70KP 
  • 1x Tricaster 8000 Switcher 
  • 1x Black Magic Designs ATEM Television Studio Pro 4K
  • 1x KiPro Rack (up to 1080i) Recorder  
  • 2x Black Magic Designs Hyperdeck (up to 4K) recorder 

Audio:

  • 2x Mackie 1604VLZ4 Sixteen Channel Analog Audio Mixer 
  • 2x Sony ECM-77B Lavaliere Microphones 
  • 1x Sony ECM-55B Lavaliere Microphone

Communications:

  • 1x Anchor Portacom Party Line Base Unit
  • 6x Anchor Headsets, Belt Packs 
  • 2x Telos One Plus One Analog Telephone Hybrid for IFB program 

Lighting:

  • 4x KinoFlo DMX 40 Key Light (2 for Studio A, 2 for Studio B)
  • 2x KinoFlo 2 foot 4 Bank Hair Light (1 for A, 1 for B)
  • 2x KinoFlo 2 foot 2 Bank Kicker Lights (1 for A, 1 for B)
  • 2x Arri 650w Fresnel Light (Practicals)
  • 2x Arri 300w Fresnel Light (Practicals)
  • 2x Arri 150w Fresnel Light (Practicals)

Visuals:

  • 2x Vizio 70″ Monitors
  • 2x MagiCue Teleprompter Systems with 19″ Monitors

Transmission Pathways:

  • The Switch 
  • VYVX
  • Dedicated Broadband Internet for Webcast
  • LTN line* (coming soon)

Makeup/Green Room:

  • Recently renovated with new paint and added lighting
  • Spacious and comfortable
  • Permanent monitors for guests to view program


Pre-Pro and Production Spaces

  • Ground Floor: A boutique stage on the first floor, with makeup room, kitchenette, green room, and producer’s room
  • Second Floor: Five shared, client-friendly edit suites on the second floor.  Systems are complete with Adobe Creative cloud and Flame.
  • Second Floor: Audio recording booth
  • Third Floor: Two fiber-ready insert studios with single control room, makeup, green room and office space.
  • 4 storage rooms in basement

Field and Studio Shoots 

We’ve been doing these since 1994 and currently have on hand:

  • (3) C300s
  • (2) lens kits (24-70mm, 70-200mm)
  • Osmo Camera on Gimble
  • GoPros 
  • (3) 7″ and (3) 17″ monitors
  • (3) ENG PSC Alpha Mix field recorders 
  • (4) Countrymen wireless lavaliere microphones 
  • (5) Shure SM58 wired microphones
  • (2) Shotgun mics with 3 booms
  • Heath and Mackie mixers 
  • (2) ENG Light Kits (Ari 650, 150 & 350), (two 1K and two 650s)
  • (3) 4×4 and two 2×4 Kino Flow lights
  • 1 Joker light – 250w
  • 1 Diva light 400w
  • 2 Arri HMI 1ks
  • 2 Arri HMI 2ks
  • Genelech Studio Monitors (speakers)
  • (2) 26″ Insignia monitors  
  • Dodge Sprinter production vehicle 
  • 2 Grip carts
  • Black Magic Thunderbolt SDI – HDMI Converter